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HISTORY

In the monastery of Shaolin of the North some systems of kung fu practised it was based around 5 fundamental animals: dragon, tiger, leopard, crane and snake.
Others 7 systems were based on other animals, for a total of 12 systems of fighting.With the introduce of other experiences these styles they became around 30.
Under the kingdom of Su Zhong (756 ds. C.) of the dynasty Tang, another monastery will be born in the province of Fukien, to east of the city of Quang Zhu.
A monk named Yi Fa Chin  often went by the North to the monastery of the South, up to stand definitely the abbot becoming of it.
He is believed that the Hung Gar is the style that has suffered less transformations through the centuries from the original style of Shaolin.

Many are the styles derived by the Shaolin and the Hung Gar it is one among the most important appartenentis to the tradition of the Nan Siulam (Shaolin of the south of China).
When in 1570 the imperial soldiers Qings destroyed the temple of Shaolin, some monks succeeded in running away in the south sheltering himself to Fukien, and precisely in the monastery Chao Chan (Pit of the 5 Tigers).

After this episode the monastery Shaolin of Fukien saw to grow his importance in the popularization of the Chinese martial arts.
Toward the end of 1700 the dynasty Qing decided to also destroy the second monastery. The legend narrates that few monks survived.
Among them there was the abbot Gee Sim Sin See and 5 students: Hung, Li, Mok, Lau and Choy.

Hung Hee Gung  learned the style it fu jaw ( tiger claw style), that represented the movements of the tiger and the respiraton of the dragon.
With the time this sequence is identified with the form Kung Gee Fook Fu Kuen,  from which the bases of the style Hung Gar was developed subsequently. The system developed the techniques of the tigress uniting her to those of the crane and became the actual Hung Gar, based around five animals (it is told that the Teacher Hung Hee Gung married the direct student of the founder of the style Wing Chun).
Hung taught secretly his art to Kuangtung (Canton) and it stopped hiding himself in 1813 when the Qings eliminated the proclamation on the Kung Fu.

Gee Sin also taught to Lok Ah Choy,  that later he was trained with Hung and a school opened to Canton.
The good student of Lok was Wong Tai,  that his child Wong Kay Ying  introduced.
Don't satisfy of what he had learned after years of study, Wong Kay Ying looked for other teachers that had directly learned from Hung Hee Gung.
He became so much strong that was chosen from his peers as one of the "ten tigers of Canton", reserved title only to the bestest apprentices of kung fu.
The child of Wong Kay Ying, Wong Fei Hung, was born in 1850, it began the training to the five year-old age and thirteen years it was already famous for as it used the baton of the 8 trigrammis.
To the twenty year-old age he had already been chosen one of the "10 tigers of Canton."
And one of the heroes famous for his ability in the martial arts.
For his worth, toward the end of the eight hundred, the Hung Gar became the most important style of the south of China.
Of Wong Fei Hung is famous above all his fight against two true tigers happened inside a pit and the fact to have defeated with the baton, to the 13 year-old age, a famous Teacher of kungfu.
During a demonstration in fact, the teacher Gwan Dai Hung, jealous of the fact that Wong Kai Ying had more public, challenged him with the baton.
Wong Kai Ying asked his child Wong Fei Hung to fight himself with the baton of the 8 trigrammis.
In few second the young Wong won the rival, and this gave to him great fame.
Wong Fei Hung is dead in 1933 to the 83 year-old age.

Another Teacher of accredited Hung Gar of the title of "Tiger of Canton" it was Tid Kiu Sam.
He passed to the history to have won varied challenges with famous deriving Teachers from every part of China.
The true name of this Teacher was Leon Kwan and he was nicknamed "third iron arm", because its arms were hard and strong as the iron.
It is told that one day, to show him, made to climb on his arms well six people.
The Grandmaster Wong Fei Hung had many students, but few were those people that learned everything from him.
Another student named Tang Fung was  nicknamed Lo Wan Ku, literally "old honest mind", because of an obstinate rigid traditionalism.

One of his dearrest pupils it was Lam Sai Wing,  that was born to Nam Hoi in the Guangdong.
He trained the army and he had a school of Hung Gar in Canton and then in Hong Kong.
Lam was already following the teachings of a teacher of a style of the south.
One day wanted to go to verify with its eyes all the voices that circulated on the extraordinary abilities of Wong Fei Hung.
As it was custom of the epoch, Lam respectfully the teacher Wong challenged to "to cross the hands", and he was found again dashed out of the room of training by a "shadow kick" of the same Wong.

Lam remained of it so impressed that it reentered on the knees asking Wong Fei Hung to accept him as student. 
As it was custom the turned challenges to a teacher were picked up by the bestest student, and Lam Sai Wing fought in a lot of occasions for his teacher.
Of profession butcher, Lam Sai Wing created the form of the knives butterfly ( wu dip do ).
One of the most famous fights of Lam Sai Wing have been that mot "the battle of the theater Lok Sin."
Its group was in fact select to make the watch to the theater.
One day however the theater changed owner and they was named other bodyguard.
The student of Lam, Chiu Ha, entered as usual the theater without paying and hee was thrown out.
These it reported the thing to his Teacher that told him: "Our kung was it doesn't have to serve for disputes as these."
Wanting then to pacifically close the thing, Lam went to make visit to the new bodyguard, together to some students.
Just entered the theater however these quickly closed the door and they attached them going out of every angle.
Lam tore a baton from one of his adversaries and started to defend his life.
The day after the newspapers they brought that eighteen people are been sheltered in the hospital, and that Lam Sai Wing was the only one gone out uninjured from the theater.
The fame of Lam Sai Wing quickly spread in all Canton.
When in 1911 the dynasty Qing fell, Lam taught kung fu to the Chinese army .
It's to this point that the genealogical tree of the style Hung Gar is branched.
Lam Sai Wing introduced varied changes to the style as a more approach next to the styles of the north of China.
He left his teachings and his school in the hands of his nephew Lam Cho.